Artist and teacher Judith Moncrieff first coined the term. In the early 1990s, while an instructor at the Pacific Northwest College of Art, Moncrieff invented and taught a new digital medium called "Tradigital". The school held a competition between Moncrieff's students, who used the medium to electronically combine everything from photographs of costumes to stills from videotapes of performing dancers.^[2][3] Moncrieff also referred to her business entity (formerly "Moncrieff Studios") as "Tradigital Imaging" around the same period.

Moncrieff was one of five founding members of the digital art collective called "Unique Editions". These five artists—Helen Golden, Bonny Lhotka, Dorothy Krause^[4], Judith Moncrieff, and Karin Schminke—combined their expertise in traditional studio media and techniques with digital imaging to produce original fine art and editions. The artists met in June, 1994, at "Beyond the Digital Print", a workshop organized by Krause at Massachusetts College of Art and Design in Boston. The artists' varied backgrounds are evident in their mixed media approach to using the computer as an art-making tool. Although every image is conceived and executed at least in part on the computer, the range of work includes one of a kind paintings, collages, Polaroid and image transfers, monotypes and prints on such varied substrates as canvas, handmade paper, and embossed metal. Moncrieff used the term "Tradigital media" to describe this merging of traditional and digital tools and "tradigitalism" as a name for this emerging movement. Unique Editions also served as a research and public relations entity for exploring technologies and promoting digital art. The group forged links with hardware and software developers in an effort to provide feedback on their products from the artist's perspective. It served as a demonstration to the rest of the art world of the role of digital technologies in the artist's studio. Unique Editions became inactive in 1997; however, Golden and Moncrieff continued to work together under the name, "Tradigital Fine Art".^[3]

Independently in the early 1990s, artist Lisa Wray was developing the fine art style she calls "Renaissance of Metaphysical Imagery". Prototypes were made for each work from color copies, color photos or film negatives made in her graphic arts darkroom. In 1990, she visited the only two places in the country with proprietary computer systems capable of assembling her prototypes: Raphael Digital Transparencies in Houston Texas, and Dodge Color Laboratories in Washington D.C. The first two prototypes, Brew of Life and Fantasy, were assembled by Dodge Color Laboratories on a Superset machine that was first developed by the Department of Defense. The final art was archived on 1" magnetic tape, and then output as an 11x14” color film transparency. Lisa discovered Judith Montcrieff and her pioneering efforts with Unique Editions and Tradigital Fine Art, in the early 1990s, found the term, "Tradigital", and also used the term to describe her own work.^[3]